Looking at National Portfolio Orgs, and some questions from a friend

In my continuing quest for a bird’s eye view on the arts & culture landscape, today I poked at the current data on the Arts Council’s National Portfolio Organisations (NPO). On the Arts Council website, there’s an Excel download of all the NPO organisations for 2018-2022. So, I downloaded that, and made a Google spreadsheet version: Copy of all NPOs and funding 2018-2022.

Copy of all NPOs and funding 2018-2022

I found this useful to help with grounding amongst all the big numbers flying around. It helped me realise that the £1.57M relief promised to the sector is a big amount, since that’s just below the total funding across all NPOs for 2018-2022, which amounts to £1,622,621,636. The difficult part is that there are 840 organisations listed here, and — even though I’m not sure anyone actually knows — there are lots more than 840 arts orgs across the UK.

The disciplines listed are:

  • Combined arts
  • Dance
  • Literature
  • Museums
  • Music
  • Theatre
  • Visual arts, and
  • Not specific

When I sorted the sheet by Column 0 (% change in support from one period to the other) + Column D (Funding band) + Column N (Total Funding 2018-2022), you quickly see:

  • 187 orgs have been added for four-year period, adding £147,487,464 to the funding pot
  • Without Walls and Arts & Heritage Plymouth City Council are the big new NPOs in terms of £, each with over £1,000,000 investment each year – yay!
  • 526 orgs have retained the same level of funding across both periods, 0% change
  • You can see little blobs of new NPOs at round funding figures; like seeds

Some other facts I didn’t know before poking at this data:

  • Royal Opera House is funded to the tune of £24,028,840 annually (and that’s about 20% of its income normally)
  • There are 36 “Band 3” orgs, which receive a minimum of £1,000,000 per year, and have other requirements around diversity, international collaboration, education, digital etc, per Page 41 of the NPO Relationship Framework.
  • There are 58 Sector Support Organisations (SSOs), including 24 new ones in this period. SSOs are great.

I found this table not very helpful in the ACE-produced NPO info, perhaps because it doesn’t connect with the overall list of NPOs or show crossover, for example a BME+LGBT+Female-led? Or, am I missing something blindingly obvious here?

ACE NPO Investment Factsheet PDF

What are the big juicy questions?

The questions from my friend, and long time advisor and conversator from afar, Eliza Gregory, has been chatting and emailing with me about all this… and she’s sent me questions that I like so much, I’m just going to copy them in here.

  1. What are the social implications of entrenching cultural wealth in terms of endowments, grants and artifacts?
  2. What social problems are connected to these practices?
  3. And on the other side, what might society be like if we changed the way a portion of that wealth is held or distributed?
  4. In what ways do these practices uphold the colonial project/the colonial/Victorian legacy that actually holds the entire society back?
  5. In what ways do these practices continue to explicitly support white supremacy?
  6. And what would it mean for all people to be liberated from that structure?
  7. Can we picture ourselves freed from it?
  8. What does that look like?
  9. What does that feel like? (So, so good.) 

Again, rough stuff, comments welcome, suggestions for direction or collaborators who are doing similar things even more welcome!

Author: George Oates

I run Good, Form & Spectacle, a small digital agency specialising in cultural heritage projects, and a product startup called Museum in a Box, a new play on the old idea of a museum handling collection that uses 3D printing and Internet of Things to make learning with museum objects a tactile, interactive, and fun experience.

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