George Oates: Making and Remaking Collections Online

Excited to let you know that the work I’ve done at G,F&S has made its way into academia.

Abstract

George Oates is a web designer, producer and developer who has been working with digital collections since 2003. She was one the founding team of Flickr, and the originator of Flickr Commons. She currently heads heritage design studio Good, Form & Spectacle, working with institutions including the British Museum, the Wellcome Library and the V&A. In this interview with Mitchell Whitelaw, Oates discusses her developing practice in making and remaking digital collections, spanning web-scale services, unsolicited interfaces, messy metadata and gentle interventions in institutional practice.

Oates, G. & Whitelaw, M., (2018). George Oates: Making and Remaking Collections Online. Open Library of Humanities. 4(1), p.32. DOI: http://doi.org/10.16995/olh.325

V&A DIRECTOR OF RESEARCH AND COLLECTIONS JOINS GOOD, FORM & SPECTACLE BOARD

We’re beyond thrilled to welcome Professor Bill Sherman to the board of Good, Form & Spectacle. The fact that Bill is Director of Research and Collections at the Victoria & Albert Museum makes all this even better.

sherman3Bill Sherman is Director of Research and Collections at the Victoria and Albert Museum, where he is leading the development of a V&A Research Institute. He moved to the V&A from the University of York, where he was Director of the Centre for Renaissance & Early Modern Studies. He works on the ways in which objects come down to us from the past, what they pick up along the way, and how they speak across time and space. He is best known for his work on marginalia and has published widely on the history of reading and the plays of Shakespeare and his contemporaries.

Our eyes first met across a crowded project called “History of an Object in 100 Worlds”, which I’d discovered in my own research around The Small Museum idea. The project’s brilliant, and back in September 2014, I left a note on its blog saying hello and could I please learn more. From there, I went to meet with the project’s leader, Lina Hakim, who introduced me to Bill.

We have a shared interest in objects’ histories. The History of an Object pilot project resulted in a short series of V&A staff presenting their own stories about favourite objects in the museum. It’s a great read, and I hope it gets circulated more widely. Having met quite a few subject experts by now, it’s one of my favourite, favourite things to have the privilege to listen to them tell me about the objects they study.

But, back to Bill. He’s already been hugely helpful to me, both as an advisor and know-er of most of the London cultural sector. He’s also largely responsible for the successful instigation of the new V&A Research Institute (VARI), “a new programme of research and teaching partnerships that will enhance access to the V&A’s collections and develop new approaches to research, training, display and interpretation.” Given that G,F&S is also heavily invested in R&D, it just seems like a great fit.

Bill says, “George and G,F&S are full of great ideas for making collections more accessible and more interesting to a wider range of people–inside and outside the walls of museums.”

Watch this space! Welcome, Bill.